
Ghastly Love
Bigger Album Liner Notes
This webpage was created to provide a comprehensive behind-the-scenes view into the making of the album, "Ghastly Love (and other dubious tales)".
Good Cover Story
This song formed out of my criminal mind, and some of the passages came from my being a big fan of the TV show Better Call Saul.
Guest guitarist Earl Cate is an old friend and one my longtime idols.
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SH – Main vocal, Acous Guitar and Elec guitars: 1. Rhythm, 2. Roto effect, 3. Lead Fills
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Darren Novotny – Drums
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John Davies - Bass (Danelectro Longhorn, short scale)
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Earl Cate – Elec guitars: 1. Rhythm, 2. Rhythm/Fills
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Backing Vocals – Genevieve Carlson, John Davies & Sean
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Matt Nelson - Rhodes Elec Piano, Hammond B3 Organ w/ Leslie
Home Where I’m Loved
This is my Covid-19 pandemic lock-down love song. From the point of view of a ‘maturing’ man who is very much in love with his wife.
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SH – Main vocal, acoustic guitars
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Darren Novotny – Drums
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John Davies - Bass (1963 Kay Value Leader, short scale)
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John Sprott - slide Dobro, and fretted Dobro cascade on chorus
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Matt Nelson - Rhodes elec piano
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Backing vocals – Genevieve Carlson, John Davies & Sean
Ghastly Love
You know that expression, “I love you somethin’ awful.” I thought I’d explore how far I could go with that idiomatic ‘negative-positive’ expression. We had some great laughs recording it. And I really love Matt’s piano and Scotty’s pedal steel on this tune. Oh, and Clariss’ yips and sighs!
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SH – Main vocals, acoustic guitar
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Darren Novotny – Drums, Temple Blocks
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John Davies - Bass (Fender Tony Franklin, fretless)
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Clariss Goodwin-Harrison – vocals, yips and sighs
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Matt Nelson – Grand Piano
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Scotty Henderson – Pedal Steel Guitar
3 Part Strategy (Get. Shit. Done.)
At my wife Clariss’ work they talk about approaching any problem with a two-part solution: Fix. It. It’s fun and cute. So I delved into creating a 3-part strategy for greater work-day production: Get. Shit. Done.
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SH - Vocal, Acoustic guitar
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Darren Novotny – Drums, Handclaps
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John Davies - Bass (Bass Collection Jazz, maple fret, w/ pick)
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David Ervin – Hammond B3 organ
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John Sprott – Elec guitars: rhythm parts, lead fills, slide fills
Ghosts of the Old Wire Road
Where I live is just off of Old Wire Road, here in Fayetteville, AR. I enjoy reading history, and this road has a rich story. I thought about the people who had lived and died here long before white men came along – and the hubris of modern American ideas of property ownership.
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SH – Vocals, Acoustic guitars, Grand piano bass notes; Harmonica
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Darren Novotny - drums
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John Davies – Bass (Bayard acoustic fretless)
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Bayard Blain - Bouzouki & Mandolin
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Scotty Henderson - Pedal Steel Guitar
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David Ervin – Keyboard: Airy-mood-synth layer
Black Beer
My good friend Philip Martin has written many fantastic lyrics. I was especially drawn to this one because I’m sober, and I was intrigued by the haunting line, “None of my dreams are quite enough.” I wanted it to sound like a pure rock-n-roll song, the spirit in which Philip wrote it. Guest guitarist and good friend John Sprott of Lubbock, TX, did the dirty work – it fits perfectly.
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SH – Main vocal, Acoustic guitar, 12-string Elec guitar
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Darren Novotny – Drums
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John Davies - Bass (Bass Collection Jazz, maple fret)
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John Sprott = Elec rhythm guitars; Elec lead fills (fretted & slide parts)
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Matt Nelson – Grand piano, Hammond B3 organ
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Rachel Fields – Backing vocals
Doggy Dog World
My older daughter Rachel’s first word was “dog.” She has had many dogs. When she was 6-years-old she tugged my shirt and said, “Daddy … it’s a doggy dog world.” As a song idea I googled it to see if it had already been written. Sure enough, Snoop Dog had cut a song by the same title, but it was all about “bitches and ho’s.” So I really needed to write one in the nature of a child’s innocence.
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SH – Vocal, Acoustic guitars
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Darren Novotny – Drums
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John Davies – “Tuba” Bass (Kala U-Bass)
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Matt Nelson – Grand piano
Final Thoughts
Death is one of the great writing topics. I’ve written several songs about death … always enjoy it! I’d read a science article about how the brain continues to think after the body dies. And I figured, well, those are the final thoughts – better make ‘em good.
Guest guitarist Gurf Morlix heard the demo, liked it a lot, and played some very cool lead guitar, for which I am highly grateful.
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SH – Vocal, Acoustic guitars
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Darren Novotny – Synth percussion and hand-held bass drum
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John Davies - Bass (Fender Tony Franklin, fretless)
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Gurf Morlix – Electric Guitar
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David Ervin – Accordion, Bagpipes, Keyboard synth layer
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Genevieve Carlson - Angel Voice
Album credits
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Produced by Darren Novotny and Sean Harrison
All songs written by Sean Harrison except Black Beer written by Philip Martin and Sean Harrison.
Recorded, mixed & mastered by Darren Novotny at Nob Hill Studio, Springdale, AR.
Most of the vocals were recorded by Darren Crisp at Crisp Recording, Fayetteville, AR.
John Sprott’s guitar tracks were recorded by Scott Faris at Amusement Park Studio, Lubbock, TX; Scotty Henderson’s tracks were recorded at his home studio in Camdenton, MO.
Executive Producers: Phillip Brown & Stacy Danielle; Curtis & Jen Bowman; Clariss Goodwin-Harrison; Denis Seyer
Note: These folks’ belief in me, their encouragement and contributions were fundamental in making this project possible. I am immensely grateful. - Sean
Other Invaluable Supporters: Merlee, Laurie & Quentin Harrison, and the rest of the late William Harrison’s family – daughter Rachel and the Duerrs, daughter Olivia Goodwin-Harrison, nephew Sam and the Karnatzs; longtime friends Joyce & Jack Wagoner; Tim & Dianne Brown; Linda & Andrew Barrett; Phoenix Circle Foundation of Watonga, OK; House hosts on the road: Bob Sokol, Keith & Debbie Birchman, Avis James & Bill Boecklen, Ron & Anna Carlson, Mark & Candice Murphy, John and Sandy Carlson; Technical advice and support from JT Huff; Songwriting workshops & encouragement from Ellis Ralph, Judi Neal, Chris Goering and everyone at Sip & Sing; all the Crooked Crows; dearest lifetime friend Joe West; all the music venue owners, talent-buyers and team members who keep Sean working live shows.
On the cover: Ned Kelly and Horse-1946, painting by Sir Sidney Robert Nolan (1917-1992), from his Ned Kelly series. Sincere thanks to the National Gallery of Australia, the Sidney Nolan Foundation, and the Canberra Museum and Gallery. No infringement of copyright intended.























